(By appointment only)
The texture and depth of color of Japanese cloisonné can only be truly appreciated in person.
To plan your visit, please request an appointment below.
Please note: to ensure the highest quality of service,
same-day appointments and walk-in visits cannot be accommodated.
銀座真生堂は、明治期に生み出された
七宝焼を扱う専門の販売店です。
並河靖之、濤川惣助をはじめとする名工の作品を常時所蔵し、
明治期の七宝焼を専門に扱う唯一の存在として歩んでまいりました。
実際に手に取り、その精緻な美をじっくり鑑賞いただける稀少な場でございます。
在庫作品はご予約制でご覧いただけます。
作品から探す
七宝焼は、江戸時代後期に梶常吉によって生み出された、
日本の伝統工芸技法です。
金属や陶器の表面にガラス質の釉薬を絵の具のように塗り、
高温で焼成することによって、美しい模様や色彩が表現されます。
古美術（骨董品）は、歴史的・文化的価値を持ち、技術や
美術性が高いとされる古い美術品や工芸品です。
1950年頃以降に制作された社会や思想、概念などをテーマに
した自由な表現の美術を指します。
それまでの手法とは異なり、現代アートは作品形態や技法に
囚われない性質を持つのが特徴と言えます。
作家から探す
[Kōka 2 (1845) – Shōwa 2 (1927)]
One of the leading cloisonné artists of the Meiji period, active primarily in Kyoto. He received a total of thirty-one awards at international and domestic exhibitions.
With his distinctive palette, forms, and designs, he created works of singular character and enduring appeal that continue to captivate collectors around the world today.
Devoted to the pursuit of beauty throughout his life, he is a great cloisonné master who elevated wired cloisonné (yūsen-shippō) to the realm of fine art.
[Kōka 4 (1847) – Meiji 43 (1910)]
One of the leading cloisonné artists of the Meiji period, active primarily in Tokyo.
Seeking to translate the qualities of Japanese painting (nihonga) into the medium of cloisonné, he invented the technique of musen-shippō (wireless cloisonné).
Works produced in this technique received high acclaim at exhibitions in Japan and abroad. In recognition of his achievements, he was appointed Imperial Household Artist (Teishitsu Gigeiin) alongside Namikawa Yasuyuki of Kyoto — and the two unrelated masters came to be celebrated together as the "Two Namikawas."
[Tenpō 2 (1831) – Taishō 4 (1915)]
Born in Tōshima Village, Kaitō District, Owari Province (present-day Aichi Prefecture). In 1861 (Bunkyū 1), he studied the techniques of cloisonné under Hayashi Shōgorō.
He sold his works to foreign buyers in the newly opened port of Yokohama, becoming one of the pioneers of cloisonné export under the early Meiji government.
In 1887 (Meiji 20), he founded the Nagoya Cloisonné Association, and in 1894 (Meiji 27) he established a cloisonné training school.
Ginza Shinseido operates by appointment only. Please reserve in advance before visiting the gallery.
Step 1 — Reserve (by LINE or telephone)
Step 2 — Visit (at the Ginza Shinseido gallery)
Please note: to ensure the highest quality of service,
same-day appointments and walk-in visits cannot be accommodated.
Our journal offers an in-depth look at the history of Japanese cloisonné and Meiji craftsmanship, and at the legacies of its master artisans.
Discover the living beauty behind each work.
(By appointment only)
The texture and depth of color of Japanese cloisonné can only be truly appreciated in person.
To plan your visit, please request an appointment below.
Please note: to ensure the highest quality of service,
same-day appointments and walk-in visits cannot be accommodated.
